A 10" vinyl disc containing an extended interview from the sessions is included in a deluxe box set release of Random Access Memories. He also noted that if he ever decided to write an autobiography, he would ask Daft Punk for the complete session tapes of "Giorgio by Moroder" to use as a basis. Moroder later expressed that he could have been more precise when the duo had interviewed him, as he felt his recording had faltering grammar in a few places. He was told by the engineer there that "Giorgio by Moroder" was coming along well, but that the engineer was not at liberty to discuss the track further.
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Moroder did not receive an update on the progress of the song until six months prior to the release of the album Moroder happened to be in the same studio in Paris where Daft Punk had been working at that point. Nile Rodgers was also present during the voice recording sessions, which took place over the course of two days. The engineer added that although most listeners would not be able to distinguish between each microphone, Bangalter would know the difference. The recording engineer explained that the microphones varied with origin dates that ranged from the 1960s to the 21st century, and that each microphone would be used to represent the different decades in Moroder's life. When Moroder arrived in the studio to record his monologue, he was initially perplexed that the booth contained multiple microphones he wondered if the extra equipment was a precaution in case one of the microphones broke.
The arpeggio heard throughout "Giorgio by Moroder" was captured in these initial sessions, "with layers of that arpeggio played via MIDI through different synths to create that great sound." Franco described the tests as "very fun and loose sessions", and was pleasantly surprised that some of the parts ended up in the final product. Peter Franco, who served as an audio engineer on the album, recalled that Daft Punk had wanted to conduct some tests at Henson Recording Studios early in the production process. Upon hearing the song in complete form, Moroder felt that it had been inspired by his own recordings, particularly his " I Feel Love" collaboration with Donna Summer. Daft Punk based the composition on a demo they had made years earlier, specifically because the two felt that the piece resembled Moroder's style. Then they would know what to do with it." Moroder further explained that he was unaware of how they would incorporate his monologue, at one point thinking the duo "might cut it up into a rap". Thomas asked me if I wanted to tell the story of my life. Moroder clarified that he was not involved in the composition of the track: "They did not let me get involved at all. The duo had been in contact with Moroder in relation to a possible contribution for the Tron: Legacy film score, but this never occurred. "Giorgio by Moroder" was created to serve as a metaphor about musical freedom, as Daft Punk believed that a monologue by Moroder about his career would serve as an analogy for music's history regarding exploration of genres and tastes. Daft Punk's pitch to Moroder was to conduct an extensive interview with him, and to edit excerpts of the resulting monologue into a documentary song. Giorgio Moroder first publicly mentioned his collaboration with Daft Punk in May 2012 he revealed that he had recorded a monologue about his life for a track on the album.
Thomas Bangalter, Jason Bentley, Guy-Manuel de Homem-Christo, Mitchell Leib
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